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Michael Bolton
Musiker - Pop
http://www.michaelbolton.com

If you made a list of performers who have sold more than 53 million records, won multiple Grammy trophies for Best Male Vocalist and countless other honors, earned a star on Hollywood’s Walk of Fame and sold out arenas worldwide, Michael Bolton would be on that list.But if you tallied all the artists who’ve sung with Luciano Pavarotti and Ray Charles, written songs with Bob Dylan, penned hits for Barbra Streisand and KISS, played guitar with B.B. King and been sampled on a track by hip-hop superstar Kanye West (featuring megastar Jay-Z), Michael Bolton would be the only name on that list.And he doesn’t take such dream collaborations for granted. “Working with people who’ve inspired me so profoundly, like Ray and Luciano, it’s like an out-of-body experience,” the singer marvels. “These are some of the greatest moments of my life.”When you’ve experienced such peaks, what do you do next? “For years I’ve kept a list of dream projects,” Bolton shares. “At the top of that list was an album of songs made famous by Frank Sinatra.” Now, with Bolton Swings Sinatra (PASSION MUSIC CO./Concord Music Group), the singer can check off another item on his list. The collection finds him taking on classics like “New York, New York,” “Night and Day,” “My Funny Valentine,” “Fly Me to the Moon,” “Girl From Ipanema” and “That’s Life,” and bringing in special guest Nicolette Sheridan for a duet on “The Second Time Around.”

Supervising the arrangements and orchestrations down to the last note, he’s created an affectionate, dynamic tribute to some of the greatest recordings of the 20th century. “In spite of everything we’ve read about Frank’s life, it’s his music that endures – his stamp, his voice, his delivery,” the singer reflects. “That’s what puts him everywhere we travel.”Fired up by a spectacular big band of what he calls “A-plus musicians,” including 17 horns and 35 string players, and working with top-flight arrangers and audio technicians in the legendary Capitol studios where the Chairman of the Board and countless other icons have put down tracks, he went to work on a batch of songs he’d loved since childhood. The result will be a revelation even for longtime fans – passionate, playful, boisterous, intimate and everything in between, it’s a dazzling pairing of a singer and material.He was strongly aided in this endeavor by co-producer Alex Christensen (Paul Anka) and engineer-mixer Al Schmitt (Sinatra, Barbra Streisand, Henry Mancini, Steely Dan). “They’re brilliant,” Bolton asserts of these aural architects. “They helped make everyone feel happy – the players loved the creative environment. Al’s like the doctor who’s delivered 200 of the most famous babies in the world,” he adds, referring to Schmitt’s extraordinary track record in the studio, which has earned him 15 Grammys.

The process went so smoothly, Bolton reveals, that they finished the musicians’ parts with time to spare. “I’ve never sent string players home early,” he insists. “It just came together so beautifully – like it was meant to be.”Bolton admits to feeling awed, at times, by the task. “There are some songs on this record that are so indelibly printed on my mind that I couldn’t get his delivery out of my cells,” he insists. “There are some with this very restrained, light, airy, breathy voice – I love singing these songs that way. But if you don’t get up and throw these roundhouse, knockout punches on ‘New York, New York’ and ‘That’s Life,’ for example, you’ll never deliver the songs.”Yet he forced himself to put Sinatra’s looming shadow to one side as he approached the material. “I just put my heart in it and tried to be worthy of material,” he says. Of his duet with Sheridan, he relates, “Nicolette always sang around me until she thought I was listening – then she’d get self-conscious. But I always told her she had wonderful pitch and feel.

I played her “The Second Time Around” and suggested she sing it with me, and she just lit up. The song just captured what we’ve been feeling – that love really is better further down the road, like the song says, with both feet on the ground.”Still, considering Sheridan had never presented herself as a singer, the experience was a bit overwhelming. “She had to walk past the photo of Judy Garland on her way to the vocal booth,” says Bolton. “But she was just fine.”Ultimately, Bolton Swings Sinatra is a loving testimony to a master. “Frank sang with such power and such vulnerability,” marvels Bolton. “He was a great storyteller. I just tried to tell some of these stories in my own way.”Putting his own stamp on beloved songs is a big part of what Bolton does, and he’s never taken it lightly. “Every night, I get to pay respect to the pioneers, the masters who’ve been such a great inspiration and influence on all of us,” Bolton says of the classics in his repertoire. “That’s a great part of what I do for a living, and it’s an incredible honor.” Still, Bolton is keenly aware that some of the sharpest criticism he received, when his hits began dominating pop radio, questioned the right of a white singer to perform such cherished R&B songs as “Dock of the Bay” and “When a Man Loves a Woman.”

“There’s a certain polarization that happened fairly early in my career, and I realize that my response to it played a role. I can’t do anything about that,” he reflects. “But what I can do is what my continuing career has allowed me, and what the work I’ve put in has earned me.”Part of what he’s earned has been the opportunity to share stages with the likes of Charles, his all-time favorite singer (and singing “Georgia on My Mind” to him when Charles was inducted into the Jazz Hall of Fame), Patti LaBelle, Sledge, King and other greats, to sing at the Apollo and at the Ebony Awards, and to be the only white artist asked to perform at Motown’s 35th Anniversary gala. “It twists your head around, to be invited to participate in this way,” he says.Indeed, Bolton’s reception by the community of artists who influenced him has been virtually unanimous. Otis Redding’s widow, Zelma, told Bolton that hearing him sing “Dock of the Bay” on Showtime at the Apollo brought her to tears; she wrote him a letter proclaiming his rendition “my favorite version of my husband’s classic,” adding that Otis himself would have approved. The song’s co-writer, legendary soul guitarist Steve Cropper, echoed her praise.

Billboard reported that Percy Sledge, who originally recorded “When a Man Loves a Woman,” declared, “I think Michael Bolton is one of the greatest singers I´ve ever heard. For him to do my song, it was really an honor.” Bolton recalls meeting another of his idols, Tina Turner. “She said, ‘When I first heard you on the radio, I thought you were a brother,- he relates. Bolton’s sense of connection to the African-American community goes back to his Russian-Jewish father’s experience as a survivor of intolerance, and extends beyond his music. Through the Michael Bolton Charities organization, which he founded in 1993, he created a United Negro College Fund scholarship, as well as a music class for the Harlem Boys and Girls Choir, who joined him in singing Bill Withers’ classic “Lean on Me” during a post-9/11 tribute to firefighters and police at Yankee Stadium. On a more personal level, his work as a Democratic political activist cultivated in Bolton a spiritual kinship with the burgeoning Civil Rights Movement. “One thing I grew up with was this: Don’t ever judge people based on their ethnicity or background,” he remembers. “Martin Luther King, Jr., was a heroic figure in our house.

Many years later I met the late Coretta Scott King, and we became friends. When she invited me to sing to her at the Recording Academy’s Heroes Awards earlier this year, I thought about what a rock she was for him, standing behind him through all these historic, dangerous times, and that’s what inspired me to write ‘The Courage in Your Eyes.´Bolton’s achievements as a songwriter may surprise those who are only acquainted with his singing career. In addition to hits for Streisand, KISS and Cher, he’s written songs for Joe Cocker, Marc Anthony, Kenny G., Peabo Bryson, Greg Allman, Wynonna Judd and many others; over the years, he has earned multiple honors in this field, including BMI’s Songwriter of the Year, Song of the Year and Million-Air awards, ASCAP’s Writer and Publisher Awards and a Hitmaker Award from the Songwriters Hall of Fame. “I got to watch fans lift their lighters to KISS’ last big hit, ‘Forever,’ which I wrote with Paul Stanley,” Bolton relates with satisfaction. He’s also collaborated with such hitmakers as Diane Warren, Robert John “Mutt” Lange, Desmond Child and Babyface.
Fotoquelle : www.michaelbolton.com
Michael Bolton


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